An altar in the ruins of a church
The opening scene in John Michael McDonagh’s stunning Calvary takes place in a confessional. Fr. James’ face is illuminated, though barely, in deep orange tones. The confessor’s face is out of frame, but his words leap out of the dark: “I’m going to murder you one week from today.” A genuine confession, I suppose, though the confessional booth is typically reserved for sins already committed.